Format. The ways things look on page, it draws our eyes or just lets them skim. A single line stands out and a large paragraph could too. Its all in the way the book is made out to be. For me personally, a single line draws out more emphasis. Though even the structure of a sentence is format, it all ties together.
The way the page looks.
The way the sentence stands.
Or just a single word on its...
own.
Like that, a different format, that draws the eye. Also just something being "off" can draw the eye. Like out of order placement or unique punctuation or something entirely different. Something we are not used to seeing in literature or our usual readings. Like with dialogue, sounding more step ny step, than a conversation.
"Augustus: "You probably need some rest."
Me: "I'm okay."
Augustus: "Okay." (Pause.) "What are you thinking about?"
Me: "You."
Augustus: "What about me?"
Me: "I do not know which to prefer, / The beauty of inflections / Or the beauty of innuendos, /The blackbird whistling / Or just after."
Augustus: "God, you are sexy."
Me: "We could go to your room."
Augustus: "I've heard worse ideas."" (Green, 204-205)
Just this strange format makes it out of place, or more important and emphasized. Its like texting but with actual words... if that makes any sense what so ever. With the name then a colon, then whatever that person said. Its way different then when er learned so-and-so said, "Bla. Bla. Bla." Its different! And different in a book spices it up a bit. In my opinion.
http://shelf-life.ew.com/2014/04/23/john-green-fault-in-our-stars-bookcon/
Information on John Green talking about this novel at Book-con.
Thursday, April 24, 2014
Friday, April 18, 2014
"Seeing" and "Feeling"- The Fault in Our Stars (Post 3)
Don’t you love when you can see something, touch it, even smell or taste it, or to be able to hear it. Like imagine a beach… wait no, even better, imagine a highway. What do you see? A compiled amount of somewhat organized rows of shiny, silver, black, or blue cars, spotted along the road, all crammed together. With the occasional bright splash of a pink Punch-Buggy, or a hot red Mustang. Flickering lights of red and orange greet you from the rears of each vehicle and the bright white scopes on the front of each of the cars. The road, barely visible underneath the high amount of automobiles, deep black, with lines of yellow and dashes of white, all alight with the tall shiny poles flanking the roads. Over hanging their necks and heads of light over the chaos below. Now what do you smell, and hear, the thick smell of exhaust and tire burn as the cars skid and dodge each other. The sound of an occasional car horn and the obnoxious sound of the screeching of unattended breaks, or an unhinged muffler. Then, FWOZOOOOOMMMMMMZZZZZ the sound of an overconfident Harley rider as he dodges and weaves between cars, as the drivers honk and scream at him through their open windows.
Does that image in your head seem real, when books do this, mostly good books; we know what they are talking about. And that author seems more impressive and that story seems more realistic than ever. For me, imagery plays a big part in what I believe and think about while I read a novel. If I can image the place in the book it makes me become more intertwined with this story and understand this book more. Even imagine myself there, with the characters.
John Green is a good example of an author who does this, he does it a lot in his book, The Fault in Our Stars, and yet one part sticks out the most to me; when Hazel and Augustus go to this town in the Netherlands and it is explained beautifully-I feel like I am there with them. “It happened all at once: We exited the highway and there were the rows of houses of my imagination leaning precariously toward canals, ubiquitous bicycles, and coffee shops advertising LARGE SMOKING ROOM. We drove over a canal and from atop the bridge I could see dozens of houseboats moored along the water. It looked nothing like America. It looked like an old painting, but real- everything achingly idyllic in the morning light- and I thought about how wonderfully strange it would be to live in a place where almost everything had been built by the dead.” (Green, 157) This section of text puts this image in my head of this beautiful town, with history yet still elegant, not old. I feel like I am with them in this car, traveling along the canal, passing the shops and houses.
With me at least, imagery is important, so I can "see" and "feel" what the characters are seeing and feeling, because I am there with them. So it is less of reading and more of an experience.
http://johngreenbooks.com/the-fault-in-our-stars/
A page for John Green the author with reviews, discussions and more on this novel.
Does that image in your head seem real, when books do this, mostly good books; we know what they are talking about. And that author seems more impressive and that story seems more realistic than ever. For me, imagery plays a big part in what I believe and think about while I read a novel. If I can image the place in the book it makes me become more intertwined with this story and understand this book more. Even imagine myself there, with the characters.
John Green is a good example of an author who does this, he does it a lot in his book, The Fault in Our Stars, and yet one part sticks out the most to me; when Hazel and Augustus go to this town in the Netherlands and it is explained beautifully-I feel like I am there with them. “It happened all at once: We exited the highway and there were the rows of houses of my imagination leaning precariously toward canals, ubiquitous bicycles, and coffee shops advertising LARGE SMOKING ROOM. We drove over a canal and from atop the bridge I could see dozens of houseboats moored along the water. It looked nothing like America. It looked like an old painting, but real- everything achingly idyllic in the morning light- and I thought about how wonderfully strange it would be to live in a place where almost everything had been built by the dead.” (Green, 157) This section of text puts this image in my head of this beautiful town, with history yet still elegant, not old. I feel like I am with them in this car, traveling along the canal, passing the shops and houses.
With me at least, imagery is important, so I can "see" and "feel" what the characters are seeing and feeling, because I am there with them. So it is less of reading and more of an experience.
http://johngreenbooks.com/the-fault-in-our-stars/
A page for John Green the author with reviews, discussions and more on this novel.
http://thefaultinourstarsmovie.com/
A website with The Fault in Our Stars movie web page complete with, actor facts, trailer, pictures, fan art, and more.
A website with The Fault in Our Stars movie web page complete with, actor facts, trailer, pictures, fan art, and more.
How Teen react to: The Fault in Our Stars movie trailer
Saturday, April 12, 2014
Hug or Embrace -The Fault in Our Stars (Post 2)
This book…. I swear, I don’t know what to do with it
anymore. I’m still reading it bit by bit so I don’t overload my heart with more
than it can handle, whether it be joy or pain. Yet, some of parts of this book captivates
me enough to push me forward in reading even more of this book. With the
continuation of humor used, as a teenager about their age this just makes the
book even more interesting as a whole.
Though this is not a reason for my blog post today, today I want
to touch on vocabulary. Sorry if it sounds a bit too formal, but the use of
vocabulary in this book plays a big role for me. “Headline?” he asked. “Swing
Set Needs Home,” I said. “Desperately Lonely Swing Needs Loving Home,” he said.
“Lonely, Vaguely Pedophilic Swing Set Seeks the Butts of Children,” I said
(Green, 123).” This conversation between Hazel and Augustus over the selling of
a swing set, and with each word said it sounds more crazy and humorous. Making the
swing house like if it was a person, but it’s not.
With words and speaking, a lot can be expressed, like other
languages, or intelligence, or even characteristics of the person, like occupation,
or where they are from. But in the form of a book, we can’t hear there, tone,
voice, or accent. So we depend on the vocabulary used to describe this person.
The dialogue and vocabulary in this book makes the characters feel real to me,
like I know them as my own friends because they actually talk like my friends.
The Barnes and Nobles page for this novel.
GoodReads page containing quotes from this book.
Thursday, April 3, 2014
The Doppleganger Chronicles: Book 1 The First Escape by G. P. Taylor(Post 2)
Someone get me a rope please, cause I am stuck on these cliff hangers. Also with so many turns and plot twists in the story I seriously had to get off this carousel of a book, but not until this ride (or read) is over. Which was totally worth it. With such a book as this giving me a doozy I am wondered what the rest of the series is going to do to me. I hope I can get my hands on them.
A preview of all three books which is spoiler free, it includes art from the original book.
http://www.amazon.com/Secret-Indigo-Dopple-Ganger-Chronicles/dp/1414319487
The Amazon page for the second book The Secret of Indigo Moon, as well as an inside peek and links to the first and third books.
http://www.gptaylor.info/content/view/54/184/
Website that has a place to order novels not only from tis series but other books by G. P. Taylor, as well as signed copies. With attactments that you can read the back cover over veiw, as well as the first chapter of the book.
With this book having each chapter be a character switch between two of the main characters, the twins Sadie and Sakai, they also end the chapter and switch chapters right at the part where you want to continue the most. With bad situations afoot and suspicious occurrences always giving these girls an edge. These cliff hangers, also want me to read quickly through this chapter to get to the first girl, but then this story gets better and the as you read the second girls story you are sucked into her chapter as well. As that chapter ends, you get to the first and the cycle continues, as you want to continue reading their stories, but at the same time. It is well written and pretty mastered. Also with the end as the girls two separate perspective chapters coming together to make them have one chapter together, and giving the other main character, Erik, a shot at his own chapter.
On a quick note with the twists and turns, as I don't want to spoil anything, were spectacular. I didn't see some things happen, and expected others too, but since there is so much information filled distance, when the occurrence happens you just want to yell out to yourself "I knew it!" Kinda of like in the beginning when Erik wasn't apart of the trio with the girls yet. But when you get a backstory on him, you realize something is going to happen. So he becomes a main character with the twins, and that's all I'm going to say! Hopefully I can get my hands on the rest of the series and see if they are just as good!
A preview of all three books which is spoiler free, it includes art from the original book.
http://www.amazon.com/Secret-Indigo-Dopple-Ganger-Chronicles/dp/1414319487
The Amazon page for the second book The Secret of Indigo Moon, as well as an inside peek and links to the first and third books.
http://www.gptaylor.info/content/view/54/184/
Website that has a place to order novels not only from tis series but other books by G. P. Taylor, as well as signed copies. With attactments that you can read the back cover over veiw, as well as the first chapter of the book.
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